New Pattern and Kits: Star Fragment Pendants

I finished my latest beading pattern, the Star Fragment Pendants.

Coiled Cubic Right-Angle Weave

Over the past several months I've been quietly working on this new variation on CRAW. It's an idea that originated from several places; most importantly it builds on Gwen Fisher's Twisted CRAW technique, though I recently dived through my old photos and prototypes and found related bits of beadwork dating back to 2008 (!). I started exploring this concept in earnest after taking a four-day class with David Chatt, where he encouraged me to explore versions of RAW and CRAW that twist and spiral.

That was last January, and since then I've beaded a whole box of beadwork ranging from promising experimental samples to quite ugly (but educational) failures to satisfying pieces of finished jewelry. It's been quite an artist's journey for me, full of both joy and disappointment, confusion and gradual understanding, and a whole lot of hard work. I'm looking forward to telling this story further as I present more of this beadwork, but for now I'll focus on the first design out of that box.

CRAW That Twists and Coils

The Star Fragment Pendants feature this CRAW variation that not only twists in the style of Gwen Fisher's technique, but also coils like an old-fashioned telephone cord. While others have explored these ideas with embellishment and bead size strategies, the twist of this version is generated by the specific thread path of the stitch. Like CRAW, coiled CRAW can be embellished and made into components, and the same ideas also apply to prismatic right-angle weave.

The beading pattern for this design describes how to make two different sizes of Star Fragment Pendants from embellished coiled CRAW components. In the pattern I explain the similarities and differences between CRAW, twisted CRAW, and coiled CRAW, and I introduce terminology to describe the unique features of the stitch. The pattern is in the PDF format and clocks in at 22 pages and 85 full-color illustrations and photographs. I classify this pattern as advanced and it's most appropriate for experienced beaders who have mastered CRAW and are ready for the challenge of learning this new variation. Though to be honest, I find the action of stitching twisted and coiled CRAW easier than traditional CRAW, but it's difficult to wrap one's brain around the subtle intricacies of coiled CRAW structures if you haven't already mastered CRAW.

Small and Large Star-Shaped Pendants

This design uses a collection of traditional beads; Japanese seed beads, round beads, fire polish beads, and bicone crystals. The petite pendant features one component, while the large one features two components in two different sizes. The components stack and join in an offset way that's a little tricky to assemble, but I like how this substantial component has such dimension and texture, and I'm quite happy that it also has negative space in the center (a concept that I frequently struggle with).

Kits for this design are available in three different colorways and include all the beads needed to make both pendants, though at the time of this writing the bronze colorway is currently sold out (I'm in the process of re-stocking this colorway, so check back soon for updated availability). Both pendants look lovely strung either separately or together on a silk ribbon.

Thanks for looking!

2015 Toho Challenge Necklace

This year I was invited to participate in the 2015 TOHO Challenge, a beading challenge put on by the Japanese seed bead manufacturer TOHO Beads. Each participant was given the same set of Japanese seed beads and Czech beads to create a finished piece of beadwork. We didn't need to use all of the beads in the challenge kit, but we couldn't add any additional beads except for findings and stringing materials (with the option of including one extra focal piece). All the challenge pieces are on display at the 2015 Bead & Button Show, and after that they will travel to Japan where they will be on display for a year.

I was stoked to receive the challenge box because they included colors that I already love and use in my beadwork; gorgeous magentas, bronzes, and rich metallic greens. For the challenge piece itself I wanted to create something representative of my signature style, and I also wanted to play with a relatively unused stitch. I went for a more everyday-wear look rather than anything over-the-top, and I ended up with this simple but elegant necklace.

The round focal uses the geometry of an icosahedron, so it has 30 edges and 20 triangle-shaped sides. The edges are represented by 2-hole tile beads while a collection of magmata and mini dagger beads sit on each side, in a manner similar to that of my Tila Garden Pendant. But unlike the Tila Garden design, this focal is self-supporting without the use of a round core bead, though it did require some extra engineering to keep this beaded ball from being squishy.

Since the focal is hollow, it could be strung on a headpin or through beading wire as a beaded bead, but I instead elected to attach it to a beaded rope.

I wove the rope using twisted cubic right-angle weave (CRAW), using primarily green beads to set off the magenta and bronze beads in the focal. The twisted CRAW technique is a versatile stitch that can make a variety of ropes, bangles, and components, but it seems to intimidate everyone I describe it to. It's actually much more meditative and easier than CRAW once you get the rope started (no, really!), and I'm looking forward to exploring this stitch further. In this piece I wove it in both the right-handed and left-handed directions so that each side of the rope is symmetrical with the other side, and both sides meet in the middle in a novel join. I also had fun incorporating fire polish beads into this beaded rope, which become more prominent closer to the focal of the piece.

The clasp is a little beaded toggle that mimics the triangular shape of one of the sides of the focal. I sometimes elect for a metal clasp over a beaded clasp primarily due to time constraints, especially if it's a piece that I will need to illustrate for a beading pattern. There are definitely advantages and disadvantages to each clasp approach, but for this piece I was able to use a beaded clasp which nicely complements the focal of the necklace.

If you'd like to see the 2015 Toho Challenge pieces in person, please visit the display case near the registration desk at the Bead & Button Show. Keep an eye on the Team Toho page for more images of the challenge pieces as well.

Thanks for looking!