Bitten by the Silver Bug

I've been bitten by the silver bug...

It started with a pear-shaped Swarovski silver patina crystal that had been sitting around my studio for the past several months. I incorporated it into a Prism Blossoms Pendant, and complemented it with silver half Tila, bugle, triangle, and seed beads.

I used a crystal clear rivoli for the center to keep the emphasis on the silver beads and the flowers. To keep the focus on the silver portions of this piece, I also used a relatively simple complementary color palette of oranges and blues for the Dragon Scale bead flowers.

For my next silver piece, I turned to the Annular O Necklace. This colorway features silver patina rivoli crystals, but these shiny crystals are paired with more muted pewter seed beads. A touch of purple adds color to the necklace.

Finally, I collected a bunch of Tila, half Tila, bugle, and seed beads as well as crystal AB crystals for a Half Tila Technocluster beaded bead. I left the half Tilas clear in an attempt to blend them in with the crystals, and I think I was successful on this point, however the resulting beaded bead does not show the sharp lines that some of the other colorways of this design.

I also experimented with reflective surfaces for this photo, but it didn't quite turn out the way that I would have liked. So the photography of this piece remains a work-in-progress.

Beading patterns for all three of these designs are available at beadorigami.com, and kits for these colorways and more are available as well.

Which do you prefer? Silver, gold, bronze, or another color entirely? Drop me a line in the comments :)

Thanks for looking!

Chrysanthemum Blossoms Necklace in Beadwork Magazine

My second Designer of the Year project for Beadwork Magazine is in the April/May 2015 issue!

The Chrysanthemum Blossoms Necklace features Swarovski rivoli crystals, Miyuki half Tila beads, two different colors of CzechMates two-hole triangles, and a collection of Japanese seed beads all stitched into five beaded blossom-like components. The components are joined together and finished with a matching custom beaded rope for a blooming necklace.

This project even makes an appearance on the magazine cover too:

Another colorway for this project features bronze and gold beads for a very regal look.

A limited number of kits for this project are available on my website at beadorigami.com. The pattern for this design is available in the April/May 2015 issue of Beadwork Magazine.

Thanks for looking!

Highland Garden Necklace Workshop

I'm very excited to be teaching a new beading class this weekend. This workshop, the Highland Garden Necklace, combines the beauty of beaded flowers with the geometry of dodecahedrons.

Embellished Dodecahedron Beaded Beads

This necklace features six beaded beads woven with six different colors of O beads that make up the petals of very dainty flowers. Additional tiny Japanese seed beads contribute to the fine detail of these beaded beads.

This colorway features pastel-colored O beads for a very soft look:

A Floral Focal

The focal piece of this necklace features slightly larger flowers woven with lentil beads and additional seed beads, in the colors and style to match the beaded beads. I drew on Sakura Charm and Tila Garden Pendant designs to construct this piece; I had been tinkering with the idea of weaving twelve Sakura Charms together for quite a while, but I wasn't able to effectively execute this idea until after the release of the Half Tila bead. Additionally, a number of new colors of lentil beads are now available that have greatly expanded the possible color combinations for this design.

A Geometric Necklace

The beaded beads and pendant are strung in a symmetric arrangement with a simple combination of round beads to complete the necklace. This colorway uses bronze and cranberry hues for a fall-themed take on this beading design.

I'm currently scheduled to teach this class at City Beads in Chicago on April 12 (this weekend!), and at Beaded Bliss in Danville, CA on May 2. Check out their respective websites for information on how to register for this class. I'd love to see you there!

New Pattern: Poinsettia Bracelet

After a long, hot summer I've been quite ready for Christmas, so I wholeheartedly dived into holiday beading right after Thanksgiving. Dragon Scale beads in particular have previously spoken "flower petals" to me in other designs, but I've recently found them particularly suited to poinsettias.

Miniature Beaded Poinsettias

The Poinsettia Bracelet features miniature beaded Poinsettias joined together in a delicate a bracelet. I chose the reddest Dragon Scale beads that I had in my stash for the poinsettia flower, but I didn't have any that were green enough for the leaves. So, I used bugle beads instead to mimic the angular, pointed shape of the poinsettia leaf. A handful of tiny 15° seed beads and some stabilizing Half Tila beads complete each flower.

Red and White Poinsettias

I had so much fun making the red poinsettia bracelet that I had to make one depicting white poinsettias too.

I used crystal AB Dragon Scale beads for the white poinsettias. These beads are so shiny!

Matching Earrings

Since this is a component-based design, the individual poinsettia flowers are easily adapted into matching earrings. I used gold seed beads in the center of each flower in this pair, which more accurately mimics the poinsettia flower.

Holiday Beading Pattern

The pattern for this design is now available on my website at beadorigami.com, and it describes how to make the beaded poinsettia component and how to weave several components together to make this bracelet. The circular peyote stitch is used to weave most of each component, and a variation on the cubic right angle weave (CRAW) technique is used to finish each flower. The pattern is in the PDF format, and clocks in at 12 pages of step-by-step instructions with 32 full-color illustrations and photographs.

Thanks for looking and Happy Holidays!

Saving Leftover Beads, or Bead Cores

I've embarked on a bit of a bead science experiment, and I already have some preliminary results!

Neat vs Not Neat Beading

As you may or may not know, I'm a rather neat beader. When I'm working, I tend to keep all my bead shapes and colors in neat little piles on my bead mat. A typical example of my bead mat can be seen in the left portion of the photo below, which is what it looked like when I was weaving the third colorway of the Water Lily Windows bracelet. (For contrast, at the time, a rather famous beader was working from a bead soup on the tray to the right):

I have been known to bead messy on occasion though. The only photographic evidence of this is seen in the photo below. This is from when I wove a beaded version of an Arixtra molecule.

Saving Leftover Beads

Why am I talking about neat vs. not neat beading? Well, as a neat beader, it's relatively easy for me to sort out all of my leftover beads back into their little tubes and baggies. If I didn't naturally bead so neatly, I probably wouldn't take the time to sort them all out. I'd likely still save these beads though, perhaps as a "bead soup" for later reference into my colorway and bead choice habits.

I realized that, just because I'm a neat beader, that shouldn't stop me from saving a gram or two of leftover beads on my tray (unless the beads are too expensive, like crystals). I started doing this a few weeks ago, and I saved them in a narrow tube so that they would settle into thin, discrete layers for each project that I worked on, like an ice core. This way, I could return to this "bead core" later and see what kinds of beads and colors I was using at that time, the same way that scientists analyze ice cores from Antarctica to see what the climate looked like thousands of years ago.

Bead Core

This experiment has already yielded some preliminary results! In my current Bead Core, I can identify the beads that I used for that third colorway of the Water Lily Windows bracelet, two colorways of the Half Tila Technocluster beaded beads, and the beads I used for the basic dodecahedron beaded bead that accompanies the Half Tila Technocluster pattern. The latest beads that I added to the core are from a project that I just finished, and I hope to show pictures of it soon.

After I finish this bead core, I hope to start my next one in a longer tube such as a serological or titration pipette, as if my background in science wasn't clear enough already ;)

What kind of beader are you? Tidy? Messy? Write a comment in the comments section below!

New Pattern and Kits: Half Tila Technocluster Set

I'm pleased to release my latest beading pattern, the Half Tila Technocluster Beaded Bead Set!

A Faceted Dodecahedron Beaded Bead

This beaded bead combines Miyuki Tila beads, Miyuki Half Tila beads, bugle beads, and Japanese seed beads with Swarovski rivoli crystals for a very sparkly, tactile, angular beaded bead. This design is woven using the circular netting stitch and a variation on right angle weave, all in the geometry of the dodecahedron, for a total of 12 pentagon-shaped sides with one crystal in the middle of each side.

The crystals sit close to the middle of the design, and I really like how the Half Tila beads reflect and extend the facets of the crystals outward. The angular shapes of the beads used in the Half Tila Technocluster give it the look of an advanced technological device, hence its name.

A Stunning Solo Pendant

The Half Tila Technocluster is self-supporting with no inner core bead, and can be strung through any pair of the triangular-shaped holes formed by the bugle beads. This beaded bead measures about 33 mm diameter, and stands on its own very well as a pendant. I've strung this one on a Diamond O Beaded Chain that I usually use for an O Stars Pendant (though, I think a Diamond O Chain woven with bugle beads would complement this beaded bead quite nicely too):

Matching Earrings for a Complete Set

A pair of matching earrings completes the Half Tila Technocluster Set. Here's the beaded bead in matte metallic patina, bright green, and lavender hues:

And here's the pair of matching earrings for this colorway:

The earrings are light and comfortable, and well-balanced so that the beaded component does not bend forward. Do you see how the earring takes the shape of one of the 12 pentagons from the beaded bead?

A Trio of Beading Patterns in One!

This is perhaps the most technically-challenging beaded bead I've designed, so I was initially wary of writing it up as a beading pattern. If you've previously mastered the Tila Garden Pendant, you're in great shape for tackling this beaded bead. 

If you're new to dodecahedron beaded beads, I really tried to bring my "A Game" when I wrote the pattern for this design. So, I started with the instructions for the matching earrings, which teach you how to use the Tila and Half Tila beads in layered, dimensional beadwork. Then, I include instructions for a basic dodecahedron beaded bead, woven with bugle beads and size 11° seed beads, for an easier introduction to the geometry of this design. Finally, I conclude with the instructions for the full Half Tila Technocluster beaded bead, which combines both lessons together for this stunning statement beaded bead. This is one of my longer patterns, and clocks in at 28 pages and 90 full-color photos and illustrations.  

Four Kits!

Beading kits for this design are available in the four colorways shown above, and include all the beads and findings needed to make the main Half Tila Technocluster beaded bead, the matching earrings, and at least one basic dodecahedron beaded bead.

Thanks for looking!