Shimmer River Earrings

Life with an infant has left no room for dangling earrings. So I adapted a pair of Shimmer River components into post earrings.

Life with an infant = more post earrings. #beads #beading #beadwork #earrings #crystals #swarovski #miyukibeads #beadorigami

A post shared by Cindy (@beadorigami) on Feb 18, 2018 at 2:44pm PST

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Shimmer River Bracelets

A few months ago I made a new set of bracelets, the Shimmer River Bracelets.

The Shimmer River Bracelets feature a whole bunch of Swarovski's "shimmer" fallback crystals, along with either Toho's Demi Round seed beads or Miyuki's Spacer seed beads. These thin beads are available in two sizes and are half the width of traditional 8° and 11° Japanese seed beads.

I've noticed differences between Toho and Miyuki brands before. True to form, there are subtle size and color differences between Demi Round and Spacer beads too. But I was able to use them interchangeably in this design.

When I first set out to stitch this design, I wanted to show off the crystals without covering them up or overshadowing them with other beads. This design was actually my first attempt at this idea, but then I stitched another bracelet that used and exaggerated different beaded elements. Unfortunately, the crystals were lost in this second attempt, so I circles back to my original idea. Sometimes simplicity is better and less is more!

It works up so quickly that I stitched it in five different colorways!

The beading pattern for this bracelet is appropriate for advanced beginners. The pattern is 12 pages long and contains 37 photos and illustrations.

Kits are available in all five colorways pictured, and contain all the beads needed to stitch the finished bracelet (extra crystals and beads are included so you can make a bracelet longer than those shown here).

Thanks for looking!

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Garden Jewel Necklace in Beadwork Magazine

My third Designer of the Year project for Beadwork Magazine is now available in the June/July 2015 issue.

The Garden Jewel Necklace features a great big Swarovski crystal bezeled with a collection of Miyuki Tila beads, drop beads, and round Japanese seed beads. A beaded spiral rope matches the focal pendant, and several beaded beads reminiscent of the Dewdrop beaded bead design string onto the rope for added texture.

The beaded beads will just fit over the spiral rope, yet they will stay in place once strung, so they can be positioned at different points on the rope for several different looks. In this purple and green version they sit close to the pendant:

And in this silvery purple version they are distributed more evenly throughout the rope:

A limited number of kits for this project are available on my website at beadorigami.com. The pattern for this design is available in the June/July 2015 issue of Beadwork Magazine. Please note that I'll soon be traveling to the 2015 Bead & Button Show, and the last day to order kits for shipment before the show is June 1. Any kits ordered after June 1 will ship on June 9.

Thanks for looking!

Bitten by the Silver Bug

I've been bitten by the silver bug...

It started with a pear-shaped Swarovski silver patina crystal that had been sitting around my studio for the past several months. I incorporated it into a Prism Blossoms Pendant, and complemented it with silver half Tila, bugle, triangle, and seed beads.

I used a crystal clear rivoli for the center to keep the emphasis on the silver beads and the flowers. To keep the focus on the silver portions of this piece, I also used a relatively simple complementary color palette of oranges and blues for the Dragon Scale bead flowers.

For my next silver piece, I turned to the Annular O Necklace. This colorway features silver patina rivoli crystals, but these shiny crystals are paired with more muted pewter seed beads. A touch of purple adds color to the necklace.

Finally, I collected a bunch of Tila, half Tila, bugle, and seed beads as well as crystal AB crystals for a Half Tila Technocluster beaded bead. I left the half Tilas clear in an attempt to blend them in with the crystals, and I think I was successful on this point, however the resulting beaded bead does not show the sharp lines that some of the other colorways of this design.

I also experimented with reflective surfaces for this photo, but it didn't quite turn out the way that I would have liked. So the photography of this piece remains a work-in-progress.

Beading patterns for all three of these designs are available at beadorigami.com, and kits for these colorways and more are available as well.

Which do you prefer? Silver, gold, bronze, or another color entirely? Drop me a line in the comments :)

Thanks for looking!

Color Play with Marsala: The Pantone 2015 Color of the Year

Marsala: Pantone's Color of the Year for 2015

I decided to try to make some beaded pendants using the color marsala, a brownish light red wine color that's also Pantone's Color of the Year for 2015. You can click over to Pantone's official site to see some of their examples of this color in action. I also colored a few of my beading illustrations using this hue:

(I should note that my illustrations tint marsala to the lighter side; the dark parts of these illustrations are closer to the official Pantone color).

First Color Experiment: Marsala Tints

I started with a monochromatic color palette made up of seed beads, Rizo beads, crystals, and freshwater pearls, that ironically enough had been sitting together on one of my bead trays since last August. Out of all the beads in my stash, a copper-lined seed bead that I found at Creative Castle most closely matched marsala, so I used this seed bead in each of the projects in these color experiments.

I decided to try to create the Tropical Dahlia Pendant with these beads, substituting drop-shaped freshwater pearls for the Czech drop beads called for in this pattern.

Unfortunately, these particular freshwater pearls are too thick at the base of the pearl, so they don't fit into this design when substituted one-to-one for the drop beads. I tried adjusting the seed bead count to compensate, but it still ended up too wonky.

So, for my next attempt, I found some reddish-brown iris Czech drop beads and also changed the color of the Rizo beads to a pink opal/sunset color, for a very monochromatic take on this design.

(Incidentally, while I was hunting for these drop beads, I learned that I have the same beads with the same color number from two different dye lots in my stash. In this case, the color difference is quite substantial!)

Second Color Experiment: Marsala with Purple

For my next experiment, I tried combining marsala with purple; I substituted shiny purple lentil beads for the outer ring of crystals, and I also used purple drop beads.

I like the look of this result, but in this particular pendant design I prefer a more even tint progression from the inner rivoli crystal to the outer edge of the pendant, so I tried again with a slightly different purple lentil bead for the outer edge, and one of those new patina rivoli crystals for the center.

I was drawn to this result color-wise, as I love purple and I like the tint progression in this beaded pendant. However the patina of the crystal competes with the complexity of the overall design, and this version has the least marsala out of all the experiments.

Still, I had to create a pair of matching Sakura earrings before continuing :)

Third Color Experiment: Marsala with Magic Wine

For my third experiment, I wanted to get back to the red wine flavor of marsala that Pantone shows off on their website, so I switched back to a mahogany rivoli crystal and added magic wine Rizo beads, cranberry drop beads, and a light magic green shade of lentil bead:

While it's on the darker side, I think this Tropical Dahlia pendant most closely matches the red wine richness that's most appealing about the marsala color.

Fourth Color Experiment: Marsala with Matte Sunset/Tan

For my final experiment, I switched to the Rivoli Kaleidoscope design, and used lighter, browner shades of lentils, crystals, and drop beads for this pendant.

The result is more monochromatic and, with the addition of the matte sunset drop beads, a little more on the Desert Sand side of the marsala spectrum. It's probably not the best representation of this color, but I think this palette could benefit from more light peach Duracoat/PF seed beads.

I also couldn't resist making another pair of matching Sakura earrings :)

Marsala Color Experiments: Results and Conclusions

My takeaway from these experiments? I think the marsala color has a lot of potential, particularly when paired with darker, richer wine-like reds. It also blends with purple, so it could be used as a secondary or tertiary color to warm up a purple-heavy color palette. At least in my hands, marsala is less effective in a monochromatic color palette, particularly with related colors of similar value.

I was also glad to learn a couple of design lessons from these experiments. Namely: freshwater pearls don't work very well in the Tropical Dahlia design, but lentil beads substitute for the outer crystals quite well.

What do you think of Pantone's choice of marsala for 2015? Love it? No? Drop me a line in the comments :)

New Pattern and Kits: Sparkling Compass Set

I recently retired the Sparkling Compass Set from my teaching portfolio, and it's now available as a pattern on my website.

A Delicate Bracelet

The Sparkling Compass Set features the four-pointed Sparkling Compass component woven from a collection of round crystal pearls, bicone crystals, and shaped and round seed beads. This versatile component can be combined with galactic crystals for a delicate bracelet.

An Intricate Beaded Bead

Six components can be woven off of a common base for an intricate beaded bead.

Elegant Earrings

Finally, individual components can be attached to pendant crystals for a pair of earrings. This pair features rhombus crystals, but I've also created them with galactic crystals.

Several Bead Options

Different bead options are possible in this design as well. In this set of earrings, the pair on the left includes a couple of Rizo beads for a more four-pointed compass look.

Three Kit Colorways

The pattern for this design is now available on my website at beadorigami.com, and it describes how to make the beaded Sparkling Compass component, and how to use the components to create the bracelet, beaded bead, and earrings. The circular peyote and circular netting stitches are used to create each component. The pattern is in the PDF format, and clocks in at 15 pages of step-by-step instructions with 45 full-color illustrations and photographs. Kits for this design are available in three colorways, and contain all the beads and findings needed to create the bracelet, earrings, and beaded bead.

Thanks for looking!

A Trio of Rizo Triangles Necklaces

I'm in full preparation mode for the 2014 Bead and Button Show! The Rizo Triangles Necklace is one of the six classes that I'm teaching at this year's show, and I've finished three different colorways of this very fancy necklace.

For the gold colorway, I used a combination of neutral and purple hues, with accents of gold-plated seed beads, and golden shadow Swarovski crystals.

This colorway uses several shades of bronze with hints of purple and copper accents, all paired with crystal copper Swarovski crystals.

Finally, the original colorway combines purples, greens, and several accents of silver. I love all three colorways, but this one remains my favorite :)

I'll be teaching this advanced project on Tuesday, June 3, starting at 9 AM. More information about Bead & Button class registration, as well as general show information can be found here. I'd love to see you there!

Which colorway is your favorite?

New Pattern and Kits: O Stars Set

I finished my fourth O bead jewelry pattern, the O Stars Pendant and Earrings Set!

Seeing Stars!

This pattern describes how to weave three different six-pointed star components from Swarovski crystals, round and shaped Japanese seed beads, two-hole SuperDuo beads, and O beads. The pattern starts with the relatively straightforward small component (a close relative to the Lucky O Bracelet component), and gradually works up to the more complicated large O Star component. I've classified this pattern as advanced because each component is engineered to be self-supporting from many rounds of beadwork, and it uses different bead counts and shapes in each round, so it keeps you on your toes towards the end of the pattern. However, each step is described in my usual level of detail with several full-color illustrations and photographs, so intermediate students should be able to complete the small and medium components and then work up to the large component.

A Cascading Pendant

The cornerstone of this pattern is the O Stars Pendant, which features all three stars connected together. A beaded bail and a briolette crystal complete the pendant for a long, cascading design.

A Matching Beaded Chain

I liked the diamond chain with O beads that I used in the Annular O Necklace so much, so I also included instructions on how to make this beaded chain to match the O Stars pendant. It's a fast, easy design that makes a light, delicate chain, and it's not sewn into the pendant, so it can be used for other pendants too! I'll definitely be using it more in the future.

Matching Earrings

Finally, two small components pair with additional briolette crystals for a cute little pair of matching earrings, completing this 3-in-1 pattern set.

Four Kits!

Kits for this design come in the four colorways seen above, and include all the beads and findings needed to make the pendant, earrings, and a beaded chain up to 24 inches long. The components can also be incorporated into many other jewelry designs!

Oscillations Pendants

I finished two additional colorways of my Oscillations Pendant. The first uses dark brown Tila and SuperDuo beads to frame rosy peach Rizo flowers:

The second combines dark green seed beads with a lighter, metallic patina shade for the Tila and SuperDuos, which frame silvery violet Rizo flowers.

Here's the original colorway for comparison. This one is paired with a matching spiral rope, however the pendant can be strung on a variety of materials including a metal chain or a silk ribbon.

I'll be teaching this project at the Bead & Button Show on Wednesday, June 4. You can sign up for the class here. I would love to see you there!

New Pattern and Kits: Annular O Necklace

My third O bead design of this year weaves these little ring-shaped beads into bezeled rivoli crystal components, and into a custom, matching beaded chain in my Annular O Necklace.

Four Bezeled RivOli Crystals

This necklace features an intricate focal woven from four connected rivoli crystals, bezeled with seed beads, round beads, and shaped seed beads using a unique method that somewhat resembles circular MRAW. If you've ever woven my Rivoli Kaleidoscope or Tropical Dahlia pendants, this bezeling method may seem familiar, as it starts off with similar (but easier!) thread path. The O beads in each beaded crystal component, however, came together in a delightfully surprising way to both support the attached bicone crystals, and to echo the circle shape of each component.

A Custom Beaded Chain

The necklace is finished with a simple, delicate beaded chain, again featuring O beads and just two sizes of Japanese seed beads. It works up very quickly, and since it can go with a wide variety of beaded pendants, I'll definitely be using this O-chain idea in future designs.

Three Kinds of Swarovski Crystals

The completed necklace is finished with a Swarovski briolette crystal to complement the bicone and rivoli crystals in each component. A final small rivoli component (not shown) serves as a matching toggle clasp.

The Annular O Necklace pattern is available exclusively at beadorigami.com, and beading kits for this design are available in the three colorways shown above. Each kit contains all the beads needed to make the complete necklace!

Thanks for looking!

My First Attempts at Crystal Clay

Last weekend I had the pleasure of attending a talk and class at my local bead society by the very talented beading artist Nikia Angel. Her talk was called "Steal Like an Artist," a title sure to grab your attention, but the actual talk was not about stealing per se, but about the different ways an artist will get their ideas and express them in their art. Based on a concept by Austin Kleon, it was a fantastic talk that will be referring to quite often in the future.

Nikia's class was on crystal clay, and it was the first time that I had tried anything in this medium. It was a really fun class, as each student was given several options of which settings, clay, and crystals to use, and several examples for inspiration. However, the class was focused on learning and playing in the medium, so each student's pieces were different from their neighbor's work. I completed two cabochons and one pendant in class:

For my first crystal clay piece, I tried to take an asymmetric, semi-random approach with a collection of mostly round Swarovski crystals, in clear AB, greens, and purples, all with a silver clay background:

For my second piece, which became my favorite of the three, I used a quintet of delightful little fans, and surrounded them with additional crystals to make a pendant. I added a bunch of tiny little silver craft beads in between the crystals, which gave the piece a really neat texture!

I used these beads again on my final piece, a nice little cab featuring several round crystals, again in purple and green.

It was an interesting experience to take this class; the medium is definitely outside of my usual element of precision beadwork, but I was very grateful for the opportunity to experiment in something different. Nikia is a fantastic teacher; she's patient, knowledgable, and very generous with her advice. She has my full recommendation!

Have you ever taken a class outside of your usual medium? How did you like it?

Cosmic Windows Pendant

In my last post about beaded cherry blossoms, I mentioned the idea of using component design to arrange several smaller beaded components into many different types of jewelry. I've continued this concept in my newest piece, this Cosmic Windows Pendant:

A Pendant of Windows

This piece features a total of six Cosmic Windows components, arranged in a tetrahedral geometry with one component on each of the six edges of the tetrahedron. This 3D arrangement gives the pendant a great deal of depth and dimensionality that photos can't entirely capture. Here it is on its edge on a jewelry bust:

The main tetrahedral body of the pendant is about an inch and a half in diameter; on the big side for a beaded bead, but not quite too big for a beaded pendant.

A Variation on a Bracelet

The Cosmic Windows design originally started as a bracelet, featuring six linked components woven with Miyuki tila beads and seed beads, which come together to frame the irregular cosmic Swarovski crystals that give the piece its name. Here's a photo of this bracelet in its original antique colorway:

With a little bit of beaded fringe and a bail for an ear wire, the Cosmic Windows components also make fancy matching earrings:

I used the same silver and blue colorway for this pendant:

Dimension and Symmetry

Each component in the pendant is joined together at the corners of the tetrahedron with additional briolette crystals and Japanese seed beads. It took a few attempts to get it to hold its shape, but I was surprised at how I didn't need that many additional beads to join the components together (it did, however, require many passes of thread!) A beaded bail and a bunch of beaded fringe finish the pendant.

I'm thinking that it would also make a very fancy Christmas ornament too!

The original Cosmic Windows beading pattern and kits are available at www.beadorigami.com. If you're interested in learning how to make this variation from the original pattern, drop me a line!